Harmonis
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Six licenses. One rhythm.

Every US PRO. One regular payment.

The US has six performing-rights organizations — ASCAP, BMI, SESAC, GMR, AllTrack, and Pro Music Rights — and any of them can bill you on their own schedule. We cover every one, pay them upfront, then you pay us one regular payment — weekly or monthly, your choice.

Same model that fixed commercial insurance: someone pays the lump sum so you don’t have to. We just did it for music licensing.

And once you’re set up, you’re done thinking about it. We track every renewal and rate change, and if anything moves we tell you first. No surprise letters, no chasing agencies yourself, no missed deadline that turns into a fine.

Find out where you stand. 3 questions.

Real numbers. No email required.

1. Do you host live bands, DJs, or karaoke?

2. Do you stream from a personal Spotify or Apple Music account?

3. What’s your occupancy capacity?

The old way is killing your cashflow.

We didn’t invent music licensing. We just put a wrapper around it so you stop dreading March.

The old way
  • ✕Six invoices a year, from six different organizations
  • ✕$2,000–$5,000+ due all at once — usually around the same time as your insurance and ABC license
  • ✕Six logins. Six customer numbers. Six renewal dates to track.
  • ✕Surprise SESAC bill in October you forgot existed
  • ✕Personal Spotify exposes you to per-song statutory damages
  • ✕Demand letter shows up — now you’re negotiating from behind
  • ✕Miss one renewal and you’re unlicensed without realizing it
With Harmonis
  • ✓One regular payment — weekly or monthly — no surprises
  • ✓We pay all six PROs in full on day one — you owe us, not them
  • ✓One portal. One login. One number to call.
  • ✓Compliance certificate in your dashboard the moment you sign up
  • ✓Auto-renewals — you can’t accidentally lapse
  • ✓Demand-letter-prevention: PROs deal with us, not you
  • ✓Update your venue (stopped doing live music? sold it?) and pricing follows

What we’re actually solving

Music licensing is two problems pretending to be one.

Compliance is the obvious one. The two that matter more for keeping the lights on are the administrative load and the cashflow shape.

Problem 1

The administrative pile

Every bar owner gets the same stack of invoices: liquor license, health permit, insurance premium, equipment leases, POS fees, and now six music licenses on six different schedules. Most of them weren’t there when you opened.

We collapse the six music ones into a single line item.

Problem 2

The March gut-punch

If you opened in March, every single annual fee — ABC, insurance, health, all six PROs — hits your bank account at the same time. That’s not a budget; that’s a hostage situation.

Predictable payments — weekly or monthly — turn $5,000-in-March into something you can plan around.

Six organizations. Six catalogs. One regular payment.

Each licenses a different catalog and can come after you independently. The big four do most of the enforcing; the newer two round out full coverage. We handle all of them.

ASCAP

American Society of Composers, Authors and Publishers

Quotes early in the year

BMI

Broadcast Music, Inc.

Quotes mid-year

SESAC

Society of European Stage Authors and Composers

Invite-only, negotiated

GMR

Global Music Rights

Direct negotiation only

AllTrack

AllTrack, LLC

Smaller catalog, rarely enforces

PMR

Pro Music Rights

Newer, smaller, rarely enforces

Set it up once. Forget it.

Five minutes to onboard. Then it runs without you.

1

Tell us about your venue

Capacity, music type, hours. Three questions on this page got you 80% of the way — we just need a few more.

2

Sign once, we handle the rest

Letter of agency for each PRO so they call us, not you. We pay them in full on day one.

3

Pay us weekly or monthly. Forever. Forget it.

One predictable amount, auto-renewed, with a compliance certificate in your portal you can show any agent.

What you’re actually exposed to

We don’t love the scare-stat thing, but the math is the math.

$150K

statutory ceiling per song. Settlements are usually less, but the threat is the leverage.

4

separate organizations that each have their own enforcement process and their own renewal date.

~100%

PRO win rate when these cases actually reach a judge. They are not bluffing.

And here’s the version where you never think about it again

Same three numbers, from the other side. Once you’re set up, this is just your life.

One bill

One predictable amount, one date. The six PROs get paid on time, every time, and you never see a separate invoice again.

Zero renewals to track

We watch all six renewal dates and every rate change. If something moves, we tell you first. Nothing lapses on your watch.

The letters stop

Coverage is in place and documented, so the cease-and-desist and the surprise demand simply don’t arrive. That’s the whole point.

“

I was paying six different organizations on six different schedules and still got a cease-and-desist because I missed a GMR renewal. Harmonis took over everything in one afternoon. Haven’t thought about it since.

Bar owner, Sacramento

150-cap restaurant & bar

Stop dreading March.

Get your real number in two minutes. No commitment, no email wall.

Get my full quoteSee what you’d get
Harmonis

All six music licenses (ASCAP, BMI, SESAC, GMR, AllTrack, and Pro Music Rights) in one regular payment — weekly or monthly. We pay the PROs. You pour drinks.

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  • Is ASCAP a scam?
  • ASCAP vs BMI vs SESAC
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  • What is a GMR license?

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